Book Description
While working as a trapline manager in Northern Ontario during the 1950s and 1960s, John Macfie, a Canadian of Scottish heritage, formed deep and lasting relationships with the people of the Indigenous communities in the region. As he travelled the vast expanse of the Hudson Bay watershed, from Sandy Lake to Fort Severn to Moose Lake and as far south as Mattagami, he photographed the daily lives of Anishinaabe, Cree, and Anisininew communities, bearing witness to their adaptability and resilience during a time of tremendous change.
Macfie’s photos, curated both in this volume and for an accompanying exhibition by the nipisihkopawiyiniw (Willow Cree) writer and journalist Paul Seesequasis, document ways of life firmly rooted in the pleasures of the land and the changing seasons. People of the Watershed builds on Seesequasis’s visual reclamation work with his online Indigenous Archival Photo Project and his previous book, Blanket Toss Under Midnight Sun, serving to centre the stories and lives of the people featured in these compelling archival images.
Author
Press
“Paul Seesequasis tells us the stories behind some of John Macfie’s most revelatory images.”
Maclean’s
“The images reflect a sensitive eye and respectful approach to a solid documentary project.”
The Globe and Mail
“Shines a light on the overlooked histories of Indigenous communities in northern Ontario.”
APTN
Upcoming Events
Book Launch & Conversation with Paul Seesequasis and Jesse Wente
May 8, 11–4PM
Queen Books, Toronto, ON
Exhibit – People of the Watershed: Photographs by John Macfie
May 11–November 17, 2024
McMichael Canadian Art Collection, Kleinburg, ON
Praise
“John Macfie’s vivid and stirring photographs show a way of life on full display—the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home.”
—Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance
Praise for Paul Seesequasis’s Blanket Toss Under Midnight Sun:
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.”
—Eden Robinson
“Paul Seesequasis’s Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.”
—Thomas King, author of The Inconvenient Indian
While working as a trapline manager in Northern Ontario during the 1950s and 1960s, John Macfie, a Canadian of Scottish heritage, formed deep and lasting relationships with the people of the Indigenous communities in the region. As he travelled the vast expanse of the Hudson Bay watershed, from Sandy Lake to Fort Severn to Moose Lake and as far south as Mattagami, he photographed the daily lives of Anishinaabe, Cree, and Anisininew communities, bearing witness to their adaptability and resilience during a time of tremendous change.
Macfie’s photos, curated both in this volume and for an accompanying exhibition by the nipisihkopawiyiniw (Willow Cree) writer and journalist Paul Seesequasis, document ways of life firmly rooted in the pleasures of the land and the changing seasons. People of the Watershed builds on Seesequasis’s visual reclamation work with his online Indigenous Archival Photo Project and his previous book, Blanket Toss Under Midnight Sun, serving to centre the stories and lives of the people featured in these compelling archival images.
Press
“Paul Seesequasis tells us the stories behind some of John Macfie’s most revelatory images.”
Maclean’s
“The images reflect a sensitive eye and respectful approach to a solid documentary project.”
The Globe and Mail
“Shines a light on the overlooked histories of Indigenous communities in northern Ontario.”
APTN
Upcoming Events
Book Launch & Conversation with Paul Seesequasis and Jesse Wente
May 8, 11–4PM
Queen Books, Toronto, ON
Exhibit – People of the Watershed: Photographs by John Macfie
May 11–November 17, 2024
McMichael Canadian Art Collection, Kleinburg, ON
Praise
“John Macfie’s vivid and stirring photographs show a way of life on full display—the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home.”
—Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance
Praise for Paul Seesequasis’s Blanket Toss Under Midnight Sun:
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.”
—Eden Robinson
“Paul Seesequasis’s Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.”
—Thomas King, author of The Inconvenient Indian
“Paul Seesequasis tells us the stories behind some of John Macfie’s most revelatory images.”
Maclean’s
“The images reflect a sensitive eye and respectful approach to a solid documentary project.”
The Globe and Mail
“Shines a light on the overlooked histories of Indigenous communities in northern Ontario.”
APTN
Book Launch & Conversation with Paul Seesequasis and Jesse Wente
May 8, 11–4PM
Queen Books, Toronto, ON
Exhibit – People of the Watershed: Photographs by John Macfie
May 11–November 17, 2024
McMichael Canadian Art Collection, Kleinburg, ON
Praise
“John Macfie’s vivid and stirring photographs show a way of life on full display—the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home.”
—Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance
Praise for Paul Seesequasis’s Blanket Toss Under Midnight Sun:
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.”
—Eden Robinson
“Paul Seesequasis’s Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.”
—Thomas King, author of The Inconvenient Indian
“John Macfie’s vivid and stirring photographs show a way of life on full display—the world my ancestors inhabited and that my mom fondly described to me. It is a world that, shortly after these pictures were taken, ended. So distant and yet achingly familiar, these pictures feel like a visit home.”
—Jesse Wente, Anishinaabe broadcaster, arts leader, and author of Unreconciled: Family, Truth, and Indigenous Resistance
Praise for Paul Seesequasis’s Blanket Toss Under Midnight Sun:
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.”
—Eden Robinson
“Paul Seesequasis’s Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.”
—Thomas King, author of The Inconvenient Indian